Application
Name: ____________________ Phone:_____________________
Email:______________________ Age:______________________
Height:____________________ Dress
Size:_________________
Dance Experience:
□ Tap- # of years_____ □ Hip Hop-#
of years_____ □Salsa-#
of years_____
□ Jazz-# of years_____ □
Ballroom-# of years____ □Other____________
□ Contemp-# of years__ □ Latin-#
of years_____
□ Ballet-# of years_____□
Swing-# of years_____
Availability:
□ Mondays – Hours:
□ Tuesdays – Hours:
□ Wednesdays – Hours:
□ Thursdays – Hours:
□ Fridays – Hours:
□ Saturdays – Hours:
□ Sundays – Hours:
Have you been to a Cin City
show? Where & when?
Define what burlesque means
to you:
What makes you want to be a
burlesque performer?
If they actually answer this (only about 50% of them bother at this point), and they sound like even a remote possibility, I then send them this:
Pink Productions, LLC
DBA
Expectations, Rules and Guidelines
Revised – 8/4/2013
1.Group rehearsal time runs from 11-1on Sundays for groups,
and 6-8 on Wednesdays for solos with NO exceptions, plus additional time on
your own to memorize your choreography.
Ginger CANNOT spend those precious 4 hours of group time trying to help
you remember choreography – you MUST do that on your own time. Girls must be
available from 10 a.m. – 2 p.m. on Sundays, if we need to run long.
2. Girls must me on time and READY TO DANCE (i.e., shoes on,
warmed up, and mouths zipped) at EXACTLY those times with NO exceptions unless
previously cleared with Ginger. For
every minute you are late, you will take the entire flight of stairs up and
down.
3. If you miss more than 1 rehearsal per month, you will not
be relegated to the G-string for the next two months. NO EXECPTIONS.
4. If you miss ANY Sunday rehearsals 4 weeks before a large
show, you’ll be pulled from the show. NO EXCEPTIONS.
5. If you are slacking off in rehearsal, Ginger reserves the
right to send you home. If you are sent
home, it WILL count as an absence. Do not
bring your personal issues to rehearsal or performance.
6. You are expected to “check out” for every group number in
our arsenal. If we are working on a
number or numbers that you have already “checked out” of, you may skip that
rehearsal without being penalized. You
will be required to come to rehearsal 6 weeks prior to dancing it at a booking
to “audition” it, and will, if picked to dance said number at that upcoming
booking, need to come to every rehearsal
leading up to said booking.
7. Every girls is responsible for purchasing and
maintaining/replacing as needed the following: 1 nude and 1 black pair of ballroom
shoes, 1 nude and 1 black pair of fishnets, their own RELIABLE brand of pastie
adhesive, eyelashes and eyelash adhesive, and bra and underwear for all
numbers. These things can be acquired over time, but MUST be acquired. This is
non-negotiable.
8.You are not paid for rehearsal time.
9. You are expected to do some of your own costume and prop
work, with the guidance of Ginger.
10. We will supply you with the “sparkle” for your
costuming, but you must apply it.
11. If you borrow a prop or costume from another girl or
from CCB, you MUST return it the following rehearsal. For every rehearsal you forget it, you will
be charged $5.
12. You MUST be available on Friday and Saturday nights for
bookings.
13. ALL burlesque bookings (i.e., you strip, or use your CCB
name or ANY CCB routines, including your solos) MUST go though Ginger. If you book an outside gig, it may NOT be
burlesque in nature. It may be belly,
hoop, ballroom…but NOT burlesque. If a
“friend” or acquaintance wants to book you for burlesque for a show, they MUST
contact Ginger directly. She will handle
the booking. If someone is requested by
said booker, we will try to accommodate them as best as possible.
14. Ginger will notify girls IMMEDIATELY when receiving a
possible booking via text. You are ALL
expected to respond yes or no, and she will determine whether or not to take
the booking depending on who is available.
If she books it, she will let you know where, when, what you’ll be
dancing, and how much pay you will receive.
15. You will be
required to attend at least one costume fundraising event per year.
16. Pay will vary from show to show. We only dance for free
for charity events. Pay is always based
on the number of routines you perform, and the type of routines you
perform. Solos pay the most, but group
numbers are what the audience remembers and loves the most. The more difficult and longer the routine,
the more the pay.
17. Ginger will always try to rotate who dances at bookings,
but only those who are stage ready get to go on. The more time and effort you put in, the more
likely you are to get booked, and the more money you’ll earn.
18. Ginger has the final say in who dances what for each
booking.
19. All choreography, music, costuming, and portrayals MUST
go through Ginger first.
20. Girls must be willing to go down to pasties, although
not every number requires it.
21. Each girl must have at least 2 solos on the opposite
ends of the spectrum…i.e. one “classic” and one “neo”, one “fast”, and one
“slow”, one “silly” and one “sultry”. Etc.
22. Pink Productions, LLC
DBA Cin City Burlesque retains all rights to your stage name, character
traits, choreography, costumes, portrayals and images.
23. You will have one or two specific stage “looks” for hair
and makeup determined by Sugar Plum. You
must be able to replicate this on your own.
Sugar or Ginger can help you “check out” of this.
23. During “downtime” at bookings, you are expected to mix
and mingle with the crowd, NOT sitting in the corner with your sisters, or
looking at your phone. No
wallflowers.
24. Be gracious to our fans (PARTICULARLY our female
fans!). Be friendly and approachable,
but be PROFESSIONAL. Remember – we are
ALWAYS on stage!
25. Always carry your business cards.
26. No more than 1 drink prior to a performance. If at an appearance, no more than 1 drink per
80 minutes. Remember – we are a good
time, but we are NOT sloppy drunk college girls. You are on the clock.
27. Any friends or family that attend the show must
understand that you are there to WORK, NOT to hang out with them. If Ginger
thinks that you are neglecting your work because of your friends or family, she
will ask you to ask them to leave.
28. You will be provided one free CCB t-shirt. Some appearances will require that you wear
it, and some will require more of a pinup/rockabilly look. You are required to find suitable clothes to
be approved by Ginger for those appearances.
29. Pink Productions, LLC is not responsible for any
injuries sustained during rehearsal or performance.
30. RESPECT the reputation of Cin City Burlesque. We’ve spent years building it.
31. REPSECT the time and money Ginger puts into this to
allow you a platform to perform.
32. RESPECT your sisters. If you have a problem with one of
them, you are expected to sit down like grown women and talk it out.
33. RESPECT the people who hire us. Be professional, easy to work with, and
deliver what you promise.
34. REPSECT fellow performers. There is plenty of cattiness in this
business. It is NOT tolerated in Cin
City Burlesque. We may not love what
other people do, but you must be professional.
35. RESPECT our fans.
They are why we do this.
36. RESPECT the amount of blood, sweat, and tears it takes
to produce 3 minutes of magic onstage.
For every short solo you see onstage, there is likely 30+hours of work
that went into it. For every group
number? Try 60+. If you are in this for the money, you’re
barking up the wrong tree. If you think
this is a glamorous business, you need to get out now. This is HARD WORK. We dance through injuries and illness. We often have 10 different pieces of choreography
we’re working on at any given time. We
spend hours hunched over a bra sewing on fringe or gluing on crystals. You are
constantly packing your costumes, repairing them, and then repacking them, all
while listening to your music over and over again. You will take the same piece of clothing off
67 times, just to straighten in back out, put it back on, and do it all over
again. This is the life of a burly-girl, and something you’re choosing to take
on of your own free will.
______________________________________________
Name
______________________________________________
Signature
This usually scares them off. For the few that still hang in there, they're expected to learn choreography on the quick during an audition. Out of every 100 emails I field, I may pick up 2 girls. The right fit for us is few and far between. It's expensive to get started. The amount and difficulty of choreography is overwhelming. They need to have an innate intelligence, a good business sense, a strong sense of self, extreme confidence, overt friendliness, and an exceptional sense of humor. It's not for everyone. Keep this in mind before writing an email.
G
*****And then there was this posted in response. It made me happy.
http://www.reddit.com/r/cincinnati/comments/1pm7lz/think_that_your_boss_is_an_evil_demon_from_hell/
:
We've been fielding SOOOO many inquiries about this, we thought we'd create an event page and send you here. In order to be considered for audition, you'll need to fill out an application and submit a dance resume and headshots. We are only looking for folks between the ages of 22-32 (yes, we're accepting men as well!) with 5 or more current, consecutive years of dance experience, with up-to-date training (No, that tap class you took for 3 months when you were 5 does NOT count, nor can you claim you have 20 years of tap experience with it!) If we accept your application, we'll send you a contract that will lay out expectations that you'd have to sign before you audition. Then auditions will consist of learning 4 8- counts of choreography and performing it in small groups in front of a judging panel. YOU ARE EXPECTED TO HAVE SEEN AT LEAST ONE SHOW BEFORE YOU AUDITION....YOU WILL BE QUIZZED ABOUT IT!!!!
Still think you want to audition? Read this CAREFULLY. You'll need to send a proper email (remember...you're applying for a job, not sending a text to your friend) stating so: CinCityBurlesque@gmail.com |
How I wish I was a younger woman with natural dance ability! This sounds tough but fair. It's why you are such a fantastic troupe! Cheers Boss Lady!
ReplyDeleteHow I wish I was a younger woman with natural dance ability! This sounds tough but fair. It's why you are such a fantastic troupe! Cheers Boss Lady!
ReplyDelete